Author: Wanda

Quentin de Briey [Cadence Image]

QUENTIN DE BRIEY

SELF-SERVICE


Belgian-born photographer Quentin de Briey lives between Barcelona and Paris, where the notably different creative energies of the two cities blur together to form his aesthetic.


LUCAS EL BALI


TYSHAWN JONES for SUPREME NY


WSJ MAGAZINE


HOLIDAY MAGAZINE


A career as a professional skateboarder took a turn for the worst when injury struck and he had to give it up – instead, taking up a job as a photographer’s assistant, paving the way for his next endeavour.


VOGUE PARIS


PORTER MAGAZINE


LACOSTE SS21


VIGGO MORTENSEN for  L’OFFICIEL HOMMES ITALIA


Since then he has mainly worked in fashion and advertising for brands such as Calvin Klein, Saint Laurent, Isabel Marant, Lacoste, Paco Rabanne Parfums, Polo Ralph Lauren or Zara.


FREJA for PUSS PUSS


ZARA KIDS


KEITH, NYC


KAYO for ADIDAS SKATEBOARDING


CALVIN KLEIN


He has shot editorials for multiple Vogue editions across the world, Porter, 10 Men, Puss Puss, Le Monde, Holiday, Interview, i-D, Muse, Self-service & WSJ.


SAINT LAURENT


ISABEL MARANT


HOLIDAY MAGAZINE


PRINCE WALLY for NIKE – i-D


10 MEN


Quentin’s images are  honest, unvarnished, intimate, off-the-cuff, gritt, playful with a heightened level of relatability that resonates.


BREAT EASTON ELLIS  for INTERVIEW


ABBY CHAMPION for PORTER


UNDER THE INFLUENCE MAGAZINE


RIKA MAGAZINE


He is also a day-to-day life photographer who has published several books. His book “Ladakh” is a selection of photographs shot in the Himalayas for the Wall Street Journal Magazine.


“LADAKH”, PUBLISHED BY YVON LAMBERT


His book “The Other Day” is a collection and curation of the images posted on the Tumblr of the same name.


“THE OTHER DAY”, PUBLISHED BY YVON LAMBERT


“Thank you for your business” is a yearly journal in which the photographer showcases a selection of photographs shot during the year. “Thank you for your business” IV, published in 2021 by Yvon Lambert in a limited edition of 1000 copies, is a mix of personal and editorial photographs shot in Paris.


THANK YOU FOR YOUR BUSINESS III


THANK YOU FOR YOUR BUSINESS IV


Quentin de Briey’s shot of Joey Badass for Paco Rabanne Parfums was the recipient of a Reader’s Award in the “Celebrity Campaign Men” 

category at THE AGENTS CLUB AWARDS in 2021.


 

Hugh Lippe [Print & Contact]

hugh lippe

NUMERO NL, MANIFEST, COVER


Born and raised in Texas, Hugh Lippe is an artist and photographer who currently lives and works in New York City. 


PERSONAL WORK


NUMERO


NUMERO


PERSONAL WORK


PERSONAL WORK


Hugh moved to the East Coast to pursue a degree in Liberal Arts at Rhode Island School of Design (RISD), where he developed a strong foundation in the arts.


PERSONAL WORK


FASHION


VOGUE GREECE


EXIT


Upon graduation, Hugh’s work began exhibiting in numerous galleries and was acquired by collections Worldwide.


NUMERO NL


NUMERO NL


NUMERO NL


NUMERO


Hugh possess an intuitive eye, devoted to documenting the World around him with a cinematographic approach across both personally and commercially inspired work.


VOGUE GREECE


LAPOINTE


SALON 1884 FW20


PERSONAL WORK


ANSINTH


His quick ability to connect to the character allows Hugh to achieve intimacy with models and celebrities alike, capturing genuine moments within many settings.


ALEXANDER WANG FW20


NUMERO


PERSONAL WORK


PERSONAL WORK


CATHERINE MCNEIL for NUMERO


Hugh attributes his honest, humanistic and at times ‘raw’ approach to the many colorful memories he has experienced.


PERSONAL WORK


PERSONAL WORK


BEAUTY & THE BEAST


NUMERO


ADAM LEVINE, MISCHIEVIOUS DEEDS


Some of his editorial features can be found in Numero, Numero Netherlands, Marie Claire, L’Uomo Vogue, Vogue, Hero, Dazed and Confused, W, and Interview.


SACRIFICE


PERSONAL WORK


PERSONAL WORK


PERSONAL WORK


PARALYMBIC


Through Hugh’s passion for narrative, his talent naturally extended into film where he enjoys exploring deeper themes. Notably, his film ‘Angel Heart’ was featured at the Madrid Film festival and ‘American Blonde’ was officially selected for the Milano Film Festival.


‘AMERICAN BLONDE’ featuring ANNA EWERS


‘ANGEL HEART’ for NOWNESS

 

For assignments, please contact:
PRINT & CONTACT

[PRINT & CONTACT New York]

 

HEJI SHIN [CONCRETE]

HEJI SHIN

SUPREME


Heji Shin was born in Seoul, Korea and now lives and works between New York and Berlin. The New York Times named her one of the “biggest breakout stars of 2019”.


HIGH SNOBIETY


POP


BERLIN PORTRAITS


VOGUE CHINA


GIVENCHY SS21


Between art and fashion photography, what has made Heji Shin’s work striking and distinctive over the last decade is her provocative points of view eschewing morality.


VOGUE ITALIA


NUMERO BERLIN


MATTOX for DAZED


ANOTHER MAN


KANYE WEST


NEW YORK TIMES, BIG COCKS SERIES


Apparently attracted to what polarizes extreme opinions, contempt as well as cravings for celebrity, power, exposure, sex or motherhood, her position within art today is rare. It is in this world ruled by taste and class divisions, with its encoded and delineated spaces that Heji moves with insolent freedom.


POP


NUMERO BERLIN


PURPLE


INTERVIEW GERMANY


MARTINE ROSE FW20


Heji creates cinematic portraits that explore desire, style, and violence. Ranging from fashion models to zoo animals, her subjects are highly staged, and details are often manipulated using analog and digital production, such as double exposure.


INTERVIEW GERMANY


POP


ARENA HOMME +


ARENA HOMME +, MARTINE ROSE X NAPA SPECIAL


BERLIN PORTRAITS


Her clients include Purple, POP, Vogue Italia, Interview Germany, Another Man, Numero Berlin, 032c, Modern Matter, Supreme, Eckhaus Latta, Martine Rose and Givenchy among others.


HIGH STYLE, COVER


032C


MARTINE ROSE SS20


POP


The caliber and provocative potential of her work can be defined by its calm exposure of what is deeply stirring.


INTERVIEW GERMANY


CR, THE KARDASHIAN-JENNER WOMEN


NUMERO BERLIN


HIGH SNOBIETY


INTERVIEW GERMANY, GARBAGIO


Though her work is provocative and boundary-crossing, she says “Doing something simply out of a desire to be transgressive is very stupid, you know, just to break certain taboos. It has to have more substance than that”.


DIESEL SS22  INTIMATES


ECKHAUS LATTA


NOON SS19


INTERVIEW GERMANY, GARBAGIO


Heji’s photography raises—from a variety of perspectives and with great audacity— the question of intimacy. At the center of intimacy sits always trust, something that is today called into question on all sorts of levels.


MEN PHOTOGRAPHING MEN


BABY 10, BABY SERIES (INFANTS SHOT RIGHT AFTER BIRTH)


BABY 6, , BABY SERIES (INFANTS SHOT RIGHT AFTER BIRTH)


CURSED SOLDIERS, “BLOOD BATH” Show at LE CONSORTIUM


MILE OF DEATH,  “BLOOD BATH” Show at LE CONSORTIUM

For assignments, please contact:
CONCRETE

[CONCRETE London]

 

MITCHELL FEINBERG [APOSTROPHE]

MITCHELL FEINBERG

REAL SIMPLE, PERILS OF HOME IMPROVEMENT


Mitchell Feinberg is an American photographer who divides his time between Paris and New York. He has been shooting for over twenty years, distinguishing himself as one of the world’s premier still life photographers.


BOSTON MAGAZINE, COVER


ELLE


ELLE, PUFFY


OP


ELLE, ADOPT & SHOP


His compositions stand out for their nuanced touches of humanity in an otherwise perfect scene, this is what often makes his photographs intriguing.


MARIE-CLAIRE, SWEET DREAMS


NUMERO


FASHION FOR MEN


MARTHA STEWART, CARBON DATING


MAC


“Great still life stories are more monologue than conversation” Michell describes the difference between shooting still life compared to fashion or lifestyle photography. ”There is no flamboyant personality to help move the shoot along, no pushy publicist to get your blood boiling. It’s just you and the object.


MEN’S HEALTH


MARIE-CLAIRE


INSTYLE, SHELL GAME


NATIONAL GEOGRAPHIC


MUSE


Mitchell shoots luxury still lifes, doing commercial work for fashion houses, cosmetics,  jewelry brands, and editorial assignments for Numero,The New York Times Style Magazine, Vogue, Muse, GQ, National Geographic, WSJ, Elle and Marie Claire.


ELLE


NEW YORK MAGAZINE


MARIE-CLAIRE


‘MARIE-CLAIRE


ELLE


I read a lot, I look at design blogs,  magazines, many non-photographic sources. My ideas just pop in unexpectedly. On a long walk, in the shower, at an exhibition, anywhere, really.” 


PARADIS


PARADIS


FASHION FOR MEN, FETISH STORY


MARIE-CLAIRE, POWER TRIP


GQ STYLE


ELLE INTERNATIONAL,CINEMA STARS


His rigorous staging and organization exits in his daily life. “The more ordered the image, the more chaotic the environment.”


L.A. MAGAZINE


DIOR, J’ADORE


NEW YORK TIMES MAGAZINE


ESQUIRE


GQ


He was the recipient of a Reader’s Award in the “Still Life Food” category at THE AGENTS CLUB AWARDS in 2020 and a Reader’s Award in the “Still Life Watches” category in 2021.



REAL SIMPLE, WASTE – READERS’ AWARD “STILL LIFE FOOD”


WHITEWALL, BURNING DESIRE


MARIE-CLAIRE


MARIE-CLAIRE, PERISHABLES


MARIE-CLAIRE, NATURAL HISTORY


WSJ, SEA URCHIN


“From Gucci to Daft Punk”. This fall, an exhibition featuring Mitchell Feinberg’s work is being held in Lausanne, Switzerland.





 

DIGGY LLOYD [BEAUTY & PHOTO]

DIGGY LLOYD


Diggy Lloyd is a portrait, fashion and beauty  photographer, splitting her time between her home in Taos, New  Mexico, Los Angeles and New York City. 



FREE ASSOCIATION


THROWBACK




Diggy, who draws inspiration from nature and her familial relationships, is known for her bold color palette, luminous light,  joyful and captivating, narrative imagery. 





FLANELLE MAGAZINE



Upon graduating Parsons School of Design, she mentored under both Mary Ellen Mark and Annie  Leibovitz. This taught her about the 

importance of honesty and  the power of intimacy when creating images.






MACY’S


The foundation of her  work is deeply grounded in authentic and sincere story-telling with a strong reverence for space and environment. She has also expanded her visual vocabulary to include motion  content. 



BLISS






Diggy collaborates with Paper Magazine, Bust, Teen Vogue and brands such as Adidas, Athleta, Bliss, Casio, Gap, H&M, Levi’s, M.Gemi,  Macy’s, Popsugar, Puma, Sony Music, Uniqlo.


AWKWAFINA for PAPER MAGAZINE



NORTHERN LIGHTS, FREE ASSOCIATION IV




LILITH SAFFORD for ZIA BOTANICS


Diggy produces one volume of Free Association zine series every year. “The story I compose through Free Association will be different from the story you compose. The metaphors I see will be different from what you see, and that is the magic of photography.”







For assignments, please contact:
BEAUTY & PHOTO

[BEAUTY & PHOTO New York]

 

TESS AYANO [EAST]

TESS AYANO

 [EAST]

‘MIGUSHI’


Tess Ayano is a Japanese-American photographer and director. Now based between New York and Tokyo, Tess spent her childhood in Japan before moving to the United States in her teens.


‘MIGUSHI’


GIGI HADID for VOGUE


JAPANESE NEW YORKERS


JAPANESE NEW YORKERS


After attending NYU’s Gallatin School of Individualized Study with a focus on photography, darkroom printing, and the philosophy of aesthetics, Tess worked as an archivist for the LIGHT Gallery in New York. “I still very much draw inspiration from the work of photographers such as Andre Kertesz, Paul Strand, Emmet Gowin, and Alfred Stieglitz.”


JAPANESE NEW YORKERS


JAPANESE NEW YORKERS


THE NEW YORK TIMES, UP NEXT


M+J


Inspired by the transitory nature of life, which she describes as deeply rooted in Japanese culture and philosophy, Tess aims to create intimate vignettes from quiet ordinary moments. 


JAPAN, GION


JAPANESE NEW YORKERS


JAPAN, SUBTLY TRANSPARENT


JAPANESE NEW YORKERS


JAPAN, SAKYOJI


“I find impermanence beautifully melancholic, and photographs let me notice and revisit those moments and stories that pass through our lives. I also find people fascinating and endearing, and I know I’ll never run out of interesting people to photograph.


JAPANESE NEW YORKERS


LISTENING TO THE SOUND OF THE WAVES


THE NEW YORK TIMES, SENSES


THE NEW YORK TIMES, SENSES


Her subjects appear completely at ease in-front of her lens, a firm nod to Tess’s strength in building trust with those she photographs, and a sentiment celebrated throughout her personal project, Japanese New Yorkers, an ongoing portrait and film series of Japanese and Japanese-Americans living in New York.


THE NEW YORK TIMES, HOW WE GATHER NOW


THE NEW YORK TIMES, HOW WE GATHER NOW


THE NEW YORK TIMES, HOW WE GATHER NOW


THE NEW YORK TIMES, SENSES


THE NEW YORK TIMES, UP NEXT


Tess’s thoughtful and organic approach to image-making has led to collaborations with American Vogue, Vogue Italia , Puss Puss, The New York Time, The Cut, Max Mara and Vespa. 


MAX MARA


JAPAN, HIROSHIMA


THE NEW YORK TIMES,KEEPING LOVE CLOSE



She has held an exhibition “Art in isolation” at Trunk Room 101 Gallery in Tokyo and more recently “Palm* Photo Prize”, 10 14 Gallery in London


 

For assignments, please contact:
EAST

[EAST New York]  [EAST London]

CONOR CUNNINGHAM [LGA]

CONOR CUNNINGHAM

 [LGA]

SALEM MITCHELL


Conor Cunningham is a 23-year-old Vancouver-based photographer whose gorgeous fashion editorials and eccentric photographs incorporate immense creativity, colour, and wild use of simple props and scenery.


DETO, shot over FaceTime


LINDSAY for MARC JACOBS


CALVIN KLEIN


SO LOKI


UGLY WORLDWIDE


Conor only seriously picked up a camera just a few years ago. Once he started taking photos, he was hooked. So he bought a cheap camera and dropped out of Simon Fraser University. “I always loved doing art in any kind of aspect. It just took a while to figure out what artistic route I wanted to go through,”


JAZELLE for MARC JACOBS


THE FACE


MAWALOLA


THE FACE


MARINA, shot over FaceTime


Conor has a distinct talent for finding the colour in Vancouver—no matter what time of year it is—and conjuring a unique, nostalgic world all his own. I want to make the pictures look like how I want the world to look. I want everything to be really bright and colourful and beautiful.


REHYANNE


FWA


FWA


PLEASURES


HAMB SUN


“I kind of trained my brain to pick out colour,” The saturation so associated with his photography is caused by using flash in the sun. “It really separates the model from the backdrop. And that furthered the character aspect of my work.


THE FACE


LIL NAS X,, shot over FaceTime


LILA DOLINER


DEVON CARLSON X MARC JACOBS


YEEK, shot over Facetime


BIMINI BON BOULASH for THE FACE


Conor does not just create characters for his models; he has in some ways also created a character for himself. The made-up name @mescondi comes from his admiration for hip-hop artist Kid Cudi…


HAMB SUN


MARSHALL COLUMBIA


CAMILA MENDES for PAPER


KIM KARDASHIAN for SKIMS


DETO


WHITNEY for OFFICE


Conor Cunningham’s work has appeared in publications like British Vogue, The Face, 10, Puss Puss, Paper, PAP, Office and Drome Magazine. He has shot for brands such as Marc Jacobs, Reebok, FWA, Calvin Klein, Mawalola and Obey.


CAMILA MENDES for PAPER


MAWALOLA


X9


LINDSAY for MARC JACOBS


MARINA, shot over FaceTime


Cut, warped and distorted: Conor discovers a new approach to photography thanks to lockdown. He has adapted to a fair few changes over the last year, most notably in using FaceTime to shoot the likes of Kim K, Mowalola and Lil Nas X among others.


COLE SPROUSE for PUSS PUSS


ISABELLALOVESORY


CHARLES JEFFREY LOVERBOY


BIMINI BON BOULASH for THE FACE


THE FACE


ISABELLALOVESORY


“I just think there’s a lot more freedom, and I think, especially after such a grim year, people are really going to be seeking more bright, colourful, fun and creative ideas.


COLE SPROUSE for PUSS PUSS


JAZELLE X BLUMARINE for 10 MAGAZINE


JAZELLE, shot over FaceTime


PAP

For assignments, please contact
 @lga

[LGA New York] [LGA London]
[LGA Paris]

Bex Day [MAKING PICTURES]

BEX DAY

PERFECT, ROMANCE 1600 COVER STORY

 

Bex Day is a photographer and director from London. She creates honest portraits about difference.

 

HEN SERIES

 

CHVRCHES

 

PYLOT

 

HEN SERIES

 

LADYBEARD

 

Bex focuses predominantly on gender, diversity, individuality, the human condition, and freedom of choice. By toying with the concept of categorisation, Bex aims to produce playful, humorous and surreal imagery that questions the effects of labelling on identity.

 

TWIN

 

RIPOSTE

 

RIPOSTE

 

BODY-BUILERS SERIES

 

Bex uses storytelling to disrupt the flow of preconception and judgement within her work. By empowering each subject through their sensibilities, she is able to create intimate, raw and sensitive images, designed to encourage both honesty and ambiguity.

 

HARPER’S BAZAAR UK

 

LULA JAPAN

 

HARPER’S BAZAAR UK

 

GREEN

 

VOGUE ITALIA

 

PUSS PUSS

 

Surrealism shakes off the limitations of the standardised world view; along with the use of jaunty, vivid, saturated colour palettes and colour-blocking within her imagery, Bex challenges archaic views of what it means to be human.

 

PORTRAIT, NAOKO

 

LAMPOON

 

PORTRAIT, DANI

 

LAMPOON

 

i-D

 

Commercial clients include: Adobe, American Apparel, Babbington Jewellery, Burberry, Camilla Bloom, Carven, Chvrches, Elliss, EMI, Westerman Music and Warner Music, Fendi, Levi’s, Louis Vuitton and Stella McCartney.

 

EXIT

 

BABBINGTON

 

LEVI’S

 

BODYFORM

 

REFINERY29 UK

 

Editorial clients include: AnOther, Autre, Billboard, Dazed, Document Journal, The Face, Garage, The Guardian, Harper’s Bazaar, i-D Magazine, It’s Nice That, Ladybeard, Lampoon, The New York Times, Numero Berlin, Refinery29, Riposte, Twin, Vogue Italia, Vice and Wallpaper.

 

VOGUE ITALIA

 

PETAL SERIES, DAFFODIL

 

THE FACE, THANK THE DRIVER

 

NUMERO BERLIN

 

Her latest project, CHILDREN OF COVID , is an ongoing documentary series which examines the emotional and physical implications of COVID-19 on children between ages 4 and 13.

CHILDREN OF COVID

 

Alice Rosati [OBVIOUS]

ALICE ROSATI

I AM A MERMAID, BOOK PUBLISHED BY KAHL EDITIONS, 2020

 

Alice Rosati is a Visual Artist, Photographer and Director based in Paris. Born in Italy, Alice received her first camera for Christmas at the age of four, a cute little Ninja Turtles exemplar.

 

MILENIO

 

CHANTAL THOMASS

 

VOGUE UKRAINE

 

FLOWERS

 

SKP

 

 

VISIONAIRE

 

A self-taught artist, she formed her artistic personality in her father’s advertising agency, where she absorbed the chromatic and aesthetic sense. Growing up in the suburbs of Milan, instead of depressing her, pushed Alice to overcome the limits of their cultural sleepiness.

 

SKY BLUE

 

MATCHES FASHION

 

SKY BLUE

 

VOGUE UKRAINE

 

VOGUE MEXICO

 

She graduated from college with a degree in Art history, exhibiting her own photographic art works in various galleries and museums. Alice‘s polyhedric artistic research proposes us a dialectical vision of the absurdity of reality.

 

VOGUE MEXICO

 

GIVENCHY

 

VOGUE ARABIA

 

EXPRESS DIX

 

AFRICAN QUEENS

 

It wasn’t until 2008 that Alice made a living out of photography. Her career did certainly took a roaring kick start as we’ve seen her work being featured in Vogue Italia, Vogue Mexico, Vogue Russia, Vogue HongKong, Vogue Polska,  Visionaire, i-D France, Behind the Blinds and Numero Berlin amongst others.

 

NUMERO BERLIN

 

SKP

 

VOGUE POLSKA

 

COLLECTIBLE DRY

 

SAMARITAINE PARIS

 

SUNNIVA VAVETIK & CHU WONG

 

I consider myself a visual artist, not a photographer. I use this medium as a mere tool, like oil painting for a painter. It enables me to tell stories”

 

EXPRESS DIX

 

VOGUE UKRAINE

 

MADDY HALEY FOR COLLECTIBLE DRY

 

VOGUE UKRAINE

 

SKY BLUE

 

WHERE IS THE COOL MAGAZINE

 

Alice is a storyteller, building up constructed universes where her characters play different roles, creating visions where the known and the unknown have no more boundaries. She developed her aesthetic around the sensuality of bodies and lights.

 

MICHINO

 

CENSORED

 

CENSORED

 

BEHIND THE BLINDS

 

CHANTAL THOMASS

 

JEAN-PAUL GAULTIER

 

In 2020, Alice Rosati released her first photobook I AM A MERMAID, featuring a mystical, non-gendered mermaid character in a golden suit… an archetypal image that represents a woman who is comfortable in the deep waters of life, in the roil of emotions and sexuality.

 

I AM A MERMAID, BOOK PUBLISHED BY KAHL EDITIONS, 2020

For assignments, please contact:
OBVIOUS
[OBVIOUS PARIS]

JORDAN HEMINGWAY [MANAGEMENT+ARTISTS]

jordan hemingway

ALTERED STATES, COVER

 

Jordan Hemingway was born and raised in New York City and is now based in London. Photographer, cinematographer and director, he challenges the conventions of his medium with his tactile approach to image making.

 

DUA LIPA for 032c, COVER STORY

 

DANIELLA for ANONYMOUS CLUB, BLEEDIN’ OUT

 

MARGIELA X SSENSE

 

LOVE

 

DAZED

 

DAZED

 

Jordan is known for imagery that touches the viewer with honesty, beauty and brutality.

 

REPLICA

 

COMME DES GARCONS, ROUGE

 

KALEIDOSCOPE, COVER

 

SYSTEM

 

STRANGE DREAMS, EXHIBITION IN LONDON, SUMMER 21

 

His work ranges from printed fine art to gritty celluloid that challenges hackneyed traditional stereotypes of beauty.

 

LOVE, OUTTAKE

 

COMME DES GARÇONS HOMME PLUS ZINE

 

REPLICA

 

DAZED

 

YVES TUMOR, HEAVEN TO A TORTURED MIND

 

COMME DES GARÇONS ROUGE

 

He collaborates with magazines including Dazed, Dust,  032c, Love, System, Ssaw, Altered States, Replica, Vogue, Kaleidoscope, Nowness, Travel Almanac and Random Identities Zine.

 

DAZED, COVER

 

YVES TUMOR for GUCCI EYEWEAR

 

KALEIDOSCOPE

 

YVES TUMOR

 

O32c

 

Last year, Jordan was appointed the Artistic Developer of Comme Des Garcons and spent the year working closely with Rei Kawakubo. He also released recently a Gucci Campaign.

 

DUST

 

 RANDOM IDENTITIES ZINE

 

SSAW X RANDOM IDENTITIES

 

 VOGUE

 

GUCCI HOLIDAY

 

Jordan has worked on artistic projects and music videos with artists Travis Scott, Yves Tumor, Nothing, Anonymous Club and TR/ST.

 

YVES TUMOR, SAFE IN THE HANDS OF LOVE

 

IZZY for ANONYMOUS CLUB, BLEEDIN’ OUT

 

MARGIELA x SSENSE

 

YVES TUMOR

 

TRAVIS SCOTT,  FRANCHISE

 

YVES TUMOR, HEAVEN TO A TORTURED MIND, ALBUM COVER

 

In this year’s edition of The Agents Club Awards, Jordan’s film for Love Magazine won a JURY AWARD in the “Fashion Film Editorial category” .